Fiona Bruce and the experts head to the University of East Anglia where they are joined in the shadow of the Sainsbury Centre for Visual Arts by large crowds from Norwich. There is an eclectic mix of objects brought to camera, including the death mask of William Gladstone, a complete kitchen from the 1950s, a horn found by a serving soldier whilst on duty in Afghanistan, and a remarkable sampler sewn in Victorian days by a resident of an asylum, complete with hand-sewn accusations aimed at those responsible for her incarceration.
